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<channel>
	<title>Fox's Funhouse</title>
	<link>https://foxfunhouse.com</link>
	<description>Fox's Funhouse</description>
	<pubDate>Thu, 25 Nov 2021 08:47:43 +0000</pubDate>
	<generator>https://foxfunhouse.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://foxfunhouse.com/Home</link>

		<pubDate>Thu, 25 Nov 2021 04:04:09 +0000</pubDate>

		<dc:creator>Fox's Funhouse</dc:creator>

		<guid isPermaLink="true">https://foxfunhouse.com/Home</guid>

		<description>Charlie Fox is a writer and artist who lives in London.
He has been hallucinating intermittently since 1991.&#38;nbsp;

For all requests contact kat@lexingtonliterary.co.uk&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>Writing</title>
				
		<link>https://foxfunhouse.com/Writing-1</link>

		<pubDate>Thu, 25 Nov 2021 04:00:07 +0000</pubDate>

		<dc:creator>Fox's Funhouse</dc:creator>

		<guid isPermaLink="true">https://foxfunhouse.com/Writing-1</guid>

		<description>PAW PAW (RICHARD PRYOR AND BASQUIAT)
After Dark, 2024

Hilton Als let me write about this picture of Richard Pryor and Basquiat hanging out together in LA in 1984 for his poster series After Dark. Copies sometimes show up online or in galleries in NY.

&#60;img width="339" height="442" width_o="339" height_o="442" data-src="https://freight.cargo.site/t/original/i/82660d69b4d7865b18f1edf300a6c7daa6eaf429b238570feb2424c5e6b6f31d/Screenshot-2025-06-15-at-12.24.39.png" data-mid="234575365" border="0"  src="https://freight.cargo.site/w/339/i/82660d69b4d7865b18f1edf300a6c7daa6eaf429b238570feb2424c5e6b6f31d/Screenshot-2025-06-15-at-12.24.39.png" /&#62;&#60;img width="435" height="531" width_o="435" height_o="531" data-src="https://freight.cargo.site/t/original/i/755541f4c73b1e6d29400b12596d5bd4179634d578455c0fa0b09e30dd7b092b/Screenshot-2025-06-15-at-12.25.20.png" data-mid="234575366" border="0"  src="https://freight.cargo.site/w/435/i/755541f4c73b1e6d29400b12596d5bd4179634d578455c0fa0b09e30dd7b092b/Screenshot-2025-06-15-at-12.25.20.png" /&#62;

MUTANT MIKE
Tate Magazine, 2024
The cover feature for autumn issue of the Tate magazine, all about the legendary Mike Kelley

&#60;img width="268" height="348" width_o="268" height_o="348" data-src="https://freight.cargo.site/t/original/i/38bc76feddf03385f19ff4b5fe98f50bcd54b23bbd5d41c881c645937880aeeb/Screenshot-2025-06-15-at-12.22.42.png" data-mid="234575348" border="0"  src="https://freight.cargo.site/w/268/i/38bc76feddf03385f19ff4b5fe98f50bcd54b23bbd5d41c881c645937880aeeb/Screenshot-2025-06-15-at-12.22.42.png" /&#62;&#60;img width="749" height="157" width_o="749" height_o="157" data-src="https://freight.cargo.site/t/original/i/2b0c9d15f66804a78af86b77c2d93cb9b28321760863d8ac0dd89b0a406b26ce/Screenshot-2025-06-15-at-12.16.36.png" data-mid="234575411" border="0"  src="https://freight.cargo.site/w/749/i/2b0c9d15f66804a78af86b77c2d93cb9b28321760863d8ac0dd89b0a406b26ce/Screenshot-2025-06-15-at-12.16.36.png" /&#62;
Read more...


THIS YOUNG MONSTER
Fitzcarraldo Editions, 2017.This Young Monster is a hallucinatory celebration of artists who raise hell, transform their bodies, anger their elders and show their audience dark, disturbing things. What does it mean to be a freak? Why might we be wise to think of the present as a time of monstrosity? And how does the concept of the monster irradiate our thinking about queerness, disability, children and adolescents? From Twin Peaks to Leigh Bowery, Harmony Korine to Alice in Wonderland, This Young Monster gets high on a whole range of riotous art as its voice and form shape-shift, all in the name of dealing with the strange wonders of what Nabokov once called ‘monsterhood’. Ready or not, here they come…
‘Yep. Mr. Fox is the real thing.’— John Waters, The New York Times

Score it here, or from your favourite evil conglomerate.
&#60;img width="400" height="618" width_o="400" height_o="618" data-src="https://freight.cargo.site/t/original/i/df112e816978f25278a5d160c5979943a6fbddb45ebacb4539bf39dc4be1502e/THIS-YOUNG-MONSTER_1.jpg" data-mid="125603441" border="0" data-scale="100" src="https://freight.cargo.site/w/400/i/df112e816978f25278a5d160c5979943a6fbddb45ebacb4539bf39dc4be1502e/THIS-YOUNG-MONSTER_1.jpg" /&#62;


JIM SHAW A-ZGAGOSIAN QUARTERLY, 2024An attempt at encyclopaedic account of Jim Shaw’s work, including his trippy alter ego Billy from his masterpiece My Mirage, Pandora’s Box, and the story of that time I was interviewing him for something else and the hard drive’s memory failed so I had to reconstruct the interview from memory.

&#60;img width="887" height="491" width_o="887" height_o="491" data-src="https://freight.cargo.site/t/original/i/03b2ee3c907672fbfd3285f487f7bafe3a4ac6594f46c4c957cd41792ee33473/Screenshot-2025-06-15-at-12.05.47.png" data-mid="234575328" border="0"  src="https://freight.cargo.site/w/887/i/03b2ee3c907672fbfd3285f487f7bafe3a4ac6594f46c4c957cd41792ee33473/Screenshot-2025-06-15-at-12.05.47.png" /&#62;&#60;img width="649" height="416" width_o="649" height_o="416" data-src="https://freight.cargo.site/t/original/i/4ecfe1a430d4647892df26a5973625b77cdb84c452645f5330a24bd9617b3789/Screenshot-2025-06-15-at-12.05.30.png" data-mid="234575327" border="0"  src="https://freight.cargo.site/w/649/i/4ecfe1a430d4647892df26a5973625b77cdb84c452645f5330a24bd9617b3789/Screenshot-2025-06-15-at-12.05.30.png" /&#62;&#60;img width="658" height="431" width_o="658" height_o="431" data-src="https://freight.cargo.site/t/original/i/f92a769c1e2f1fdd86e49170547a11986d9f45a90f937ef41f735c268ef3f15b/Screenshot-2025-06-15-at-12.08.10.png" data-mid="234575329" border="0"  src="https://freight.cargo.site/w/658/i/f92a769c1e2f1fdd86e49170547a11986d9f45a90f937ef41f735c268ef3f15b/Screenshot-2025-06-15-at-12.08.10.png" /&#62;
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THE PUPPET’S NIGHTMARE AND OTHER BEDTIME STORIES (For Diego Marcon)
Spike, 2023
An essay about insomnia and madness and puppets and nightmares in Diego Marcon’s work that starts in mid-sentence&#38;nbsp;
&#60;img width="388" height="360" width_o="388" height_o="360" data-src="https://freight.cargo.site/t/original/i/35ce3f303b9308c1b97fdbb2834775d290187e2028eb26950021bb987981d8bb/Screenshot-2025-06-15-at-12.34.21.png" data-mid="234575402" border="0"  src="https://freight.cargo.site/w/388/i/35ce3f303b9308c1b97fdbb2834775d290187e2028eb26950021bb987981d8bb/Screenshot-2025-06-15-at-12.34.21.png" /&#62;&#60;img width="689" height="217" width_o="689" height_o="217" data-src="https://freight.cargo.site/t/original/i/8c21d11d42abf4f7e7b558a7a32a79bec27fe7802770e4b4c1cd2fefdfbd6db3/Screenshot-2025-06-15-at-12.34.56.png" data-mid="234575403" border="0"  src="https://freight.cargo.site/w/689/i/8c21d11d42abf4f7e7b558a7a32a79bec27fe7802770e4b4c1cd2fefdfbd6db3/Screenshot-2025-06-15-at-12.34.56.png" /&#62;



AND THE INFINITE SADNESS
Gladstone Gallery, 2024
A story/essay about the work of David Rappeneau narrated by a model who’s watching The Devil, Probably by Bresson while missing her dead boyfriend. The book it’s in is enormous and beautiful and out of print, maybe.


&#60;img width="338" height="427" width_o="338" height_o="427" data-src="https://freight.cargo.site/t/original/i/4e83c2b9d55baa3ba3434ea5dc7e0480393418831ea3139e7dc977d51d51f03f/Screenshot-2025-06-15-at-12.40.40.png" data-mid="234575457" border="0"  src="https://freight.cargo.site/w/338/i/4e83c2b9d55baa3ba3434ea5dc7e0480393418831ea3139e7dc977d51d51f03f/Screenshot-2025-06-15-at-12.40.40.png" /&#62;&#60;img width="638" height="465" width_o="638" height_o="465" data-src="https://freight.cargo.site/t/original/i/4940d09ae0c42ad267a5440d5d297a7a99786256624173eeda3b17ac1341968f/Screenshot-2025-06-15-at-12.41.38.png" data-mid="234575458" border="0"  src="https://freight.cargo.site/w/638/i/4940d09ae0c42ad267a5440d5d297a7a99786256624173eeda3b17ac1341968f/Screenshot-2025-06-15-at-12.41.38.png" /&#62;


STRANGE BIRDS
Foreword for Metamorphosis, an extremely gorgeous record by 12ensemble, 2023
&#38;nbsp;
&#60;img width="1125" height="1263" width_o="1125" height_o="1263" data-src="https://freight.cargo.site/t/original/i/f67192197fc53a8f18fa3c51b355e456b7863ba20979310b55cb6acb30c565a1/IMG_1414.jpg" data-mid="234720655" border="0"  src="https://freight.cargo.site/w/1000/i/f67192197fc53a8f18fa3c51b355e456b7863ba20979310b55cb6acb30c565a1/IMG_1414.jpg" /&#62;

Buy the record here...&#38;nbsp;

CANDY and FLESH&#38;nbsp; KALEIDOSCOPE, 2020.A plague-era retelling of Hansel &#38;amp; Gretel illustrated by Will Sheldon for KALEIDOSCOPE’s Outside issue A/W 2020.&#60;img width="1450" height="1118" width_o="1450" height_o="1118" data-src="https://freight.cargo.site/t/original/i/e70e517d505f85c638dbceff715e5f0b431c4c51497814944207c83f949de430/CANDY-and-FLESH_1.png" data-mid="125601733" border="0"  src="https://freight.cargo.site/w/1000/i/e70e517d505f85c638dbceff715e5f0b431c4c51497814944207c83f949de430/CANDY-and-FLESH_1.png" /&#62;




DON, COYOTE (RIP)
Michael Werner Gallery, 2023
Catalogue essay about Don Van Vliet (a.k.a. Captain Beefheart)’s paintings narrated by a coyote.

	
	


&#60;img width="457" height="640" width_o="457" height_o="640" data-src="https://freight.cargo.site/t/original/i/38d4f3bcacd8ad8aa2b18d42016fdcf5498e12fed42f8f0d4b073ba69451fe43/VLI-36.jpeg" data-mid="197526477" border="0"  src="https://freight.cargo.site/w/457/i/38d4f3bcacd8ad8aa2b18d42016fdcf5498e12fed42f8f0d4b073ba69451fe43/VLI-36.jpeg" /&#62;
&#60;img width="844" height="688" width_o="844" height_o="688" data-src="https://freight.cargo.site/t/original/i/d3b6fe29bdbbbd069c6567999255b566034e3b62159feccd02e36c1ab462b1fe/Screenshot-2023-11-17-at-17.01.10.png" data-mid="197526465" border="0"  src="https://freight.cargo.site/w/844/i/d3b6fe29bdbbbd069c6567999255b566034e3b62159feccd02e36c1ab462b1fe/Screenshot-2023-11-17-at-17.01.10.png" /&#62;
&#60;img width="481" height="611" width_o="481" height_o="611" data-src="https://freight.cargo.site/t/original/i/39eb392806cac7880ee6822509e1fdd413fedc3c2a8406f5f37ba6f7663a10fc/VLI-11-A.jpeg" data-mid="197526390" border="0"  src="https://freight.cargo.site/w/481/i/39eb392806cac7880ee6822509e1fdd413fedc3c2a8406f5f37ba6f7663a10fc/VLI-11-A.jpeg" /&#62;
&#60;img width="808" height="510" width_o="808" height_o="510" data-src="https://freight.cargo.site/t/original/i/b18800774fe560949317faac4315ab4390ea3528241cf503c7f25ec87da8465d/Screenshot-2023-11-17-at-17.00.13.png" data-mid="197526467" border="0"  src="https://freight.cargo.site/w/808/i/b18800774fe560949317faac4315ab4390ea3528241cf503c7f25ec87da8465d/Screenshot-2023-11-17-at-17.00.13.png" /&#62;
&#60;img width="459" height="640" width_o="459" height_o="640" data-src="https://freight.cargo.site/t/original/i/85d756492e3ce411f35ce889ef2ba4f6b0a32e96ea55504f195335c658567cb8/VLI-25-I.jpeg" data-mid="197526475" border="0"  src="https://freight.cargo.site/w/459/i/85d756492e3ce411f35ce889ef2ba4f6b0a32e96ea55504f195335c658567cb8/VLI-25-I.jpeg" /&#62;


I LOVE YOU SO MUCH I WOULD DRINK YOUR BLOOD (NOTES ON RAISED BY WOLVES)
The Paris Review, 2017
An essay about Jim Goldberg’s photographs of Los Angeles street kids c. 1980s-1990s, collected in the book Raised by Wolves


&#60;img width="730" height="267" width_o="730" height_o="267" data-src="https://freight.cargo.site/t/original/i/e1d353790de50abaa0c7e75c63cf9920adbc1fee34fe9eaa8b57149ae5bd8460/Screenshot-2025-07-22-at-17.07.16.png" data-mid="236150289" border="0"  src="https://freight.cargo.site/w/730/i/e1d353790de50abaa0c7e75c63cf9920adbc1fee34fe9eaa8b57149ae5bd8460/Screenshot-2025-07-22-at-17.07.16.png" /&#62;
&#60;img width="1024" height="614" width_o="1024" height_o="614" data-src="https://freight.cargo.site/t/original/i/009f3ed897473cb272c12fd19dc1e8701a93faee5f748bdd4c4a0750a2173d7a/rbw_echo_waiting_text_red-1024x614.jpg" data-mid="236150290" border="0"  src="https://freight.cargo.site/w/1000/i/009f3ed897473cb272c12fd19dc1e8701a93faee5f748bdd4c4a0750a2173d7a/rbw_echo_waiting_text_red-1024x614.jpg" /&#62;
&#60;img width="783" height="247" width_o="783" height_o="247" data-src="https://freight.cargo.site/t/original/i/efb4873292d60f77ee3f7a7e0305c8e81f0807a2142ef54e02ad787413831932/Screenshot-2025-07-22-at-17.07.51.png" data-mid="236150294" border="0"  src="https://freight.cargo.site/w/783/i/efb4873292d60f77ee3f7a7e0305c8e81f0807a2142ef54e02ad787413831932/Screenshot-2025-07-22-at-17.07.51.png" /&#62;Read more...




MIA
&#60;img width="2436" height="1070" width_o="2436" height_o="1070" data-src="https://freight.cargo.site/t/original/i/8aedae4cac52320d6d9ec1dfd44899603e3ec417ac2fccb4507752b2a788d926/Screenshot-2022-12-11-at-17.59.22.png" data-mid="163308933" border="0"  src="https://freight.cargo.site/w/1000/i/8aedae4cac52320d6d9ec1dfd44899603e3ec417ac2fccb4507752b2a788d926/Screenshot-2022-12-11-at-17.59.22.png" /&#62;
On the Dance Floor, A24, 2022
I wrote Mia from Pulp Fiction’s diary entry about her big night at Jackrabbit Slim’s with Vincent for a mammoth book about dance floors in the movies published by A24 with a foreword by bloody Cher.

&#60;img width="1440" height="1440" width_o="1440" height_o="1440" data-src="https://freight.cargo.site/t/original/i/32ab368d97b9f21629b5372571ab0f1af3bbb035b74561738652708ea41e16bf/5866F469-B5FC-4FC2-AFE6-0508EE732C7B.JPG" data-mid="163309982" border="0"  src="https://freight.cargo.site/w/1000/i/32ab368d97b9f21629b5372571ab0f1af3bbb035b74561738652708ea41e16bf/5866F469-B5FC-4FC2-AFE6-0508EE732C7B.JPG" /&#62;
In Vogue!
&#60;img width="1582" height="290" width_o="1582" height_o="290" data-src="https://freight.cargo.site/t/original/i/207e54287a473f834eb1185b97520c6bd70f0fe41e236dff7cefb1476e84da3d/Screenshot-2023-01-02-at-18.43.59.png" data-mid="163311013" border="0"  src="https://freight.cargo.site/w/1000/i/207e54287a473f834eb1185b97520c6bd70f0fe41e236dff7cefb1476e84da3d/Screenshot-2023-01-02-at-18.43.59.png" /&#62;
Score the book here

MY NEW FLESH
WePresent, 2021A profile of Isamaya Ffrench accompanying a specially commissioned film in which she transmogrifies into a bunch of wicked creatures, and the piece mutates into a homage to/rip-off of Borges’ encyclopaedia The Book of Imaginary Beings. Pictures by Aidan Zamiri.

&#60;img width="1038" height="1002" width_o="1038" height_o="1002" data-src="https://freight.cargo.site/t/original/i/690d4d21a4306d3ef3c40d3c4b7b08ec65175982d9792e21c3dccd2835425c1a/Screenshot-2022-07-08-at-11.56.48.png" data-mid="147391598" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/690d4d21a4306d3ef3c40d3c4b7b08ec65175982d9792e21c3dccd2835425c1a/Screenshot-2022-07-08-at-11.56.48.png" /&#62;

&#60;img width="1498" height="728" width_o="1498" height_o="728" data-src="https://freight.cargo.site/t/original/i/35f5b541d62f80e4607f17aace044df26bdf17fe1972599ca8ac29147d6f8d78/Screenshot-2022-07-08-at-11.51.54.png" data-mid="147391478" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/35f5b541d62f80e4607f17aace044df26bdf17fe1972599ca8ac29147d6f8d78/Screenshot-2022-07-08-at-11.51.54.png" /&#62;
&#60;img width="1464" height="978" width_o="1464" height_o="978" data-src="https://freight.cargo.site/t/original/i/3cbaca36a856641609f86b528c59e2a18c17c41835ba73c838cc0bfb68d51026/Screenshot-2022-07-08-at-11.56.08.png" data-mid="147391632" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/3cbaca36a856641609f86b528c59e2a18c17c41835ba73c838cc0bfb68d51026/Screenshot-2022-07-08-at-11.56.08.png" /&#62;
&#60;img width="2414" height="674" width_o="2414" height_o="674" data-src="https://freight.cargo.site/t/original/i/f2ce54795797de99e503c5b01e1b92aa15301eccc614813711cbaf3c40de2522/Screenshot-2022-07-08-at-11.52.46.png" data-mid="147391477" border="0"  src="https://freight.cargo.site/w/1000/i/f2ce54795797de99e503c5b01e1b92aa15301eccc614813711cbaf3c40de2522/Screenshot-2022-07-08-at-11.52.46.png" /&#62;
&#38;nbsp;

Read more...
🦇Garage, 2018
A story for Halloween 2018 commissioned by GARAGE. It’s about a little misfit girl named Lydia who makes herself a bat costume… and then things get strange. I asked my friend Sue de Beer to take the pictures after we went to Houdini’s grave together in Queens. 
Read more.

&#60;img width="1575" height="2361" width_o="1575" height_o="2361" data-src="https://freight.cargo.site/t/original/i/774d53d3f8bd091484957df1136b413ecbf4985e47a8df3d13797b39a967a9bc/Bat_1.jpeg" data-mid="131565872" border="0"  src="https://freight.cargo.site/w/1000/i/774d53d3f8bd091484957df1136b413ecbf4985e47a8df3d13797b39a967a9bc/Bat_1.jpeg" /&#62;
&#60;img width="1780" height="1082" width_o="1780" height_o="1082" data-src="https://freight.cargo.site/t/original/i/d2d701c0de758653ba82e20b47e80affe8fd9cd6840c3fa809e48a92a4c29186/_1-extract.png" data-mid="125607605" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/d2d701c0de758653ba82e20b47e80affe8fd9cd6840c3fa809e48a92a4c29186/_1-extract.png" /&#62;
&#60;img width="1575" height="2362" width_o="1575" height_o="2362" data-src="https://freight.cargo.site/t/original/i/a845c7c9df1b3f4a516cd7fa9f5b035f755900135ec069db41c7a82144e86452/Bat_2.jpeg" data-mid="131565873" border="0"  src="https://freight.cargo.site/w/1000/i/a845c7c9df1b3f4a516cd7fa9f5b035f755900135ec069db41c7a82144e86452/Bat_2.jpeg" /&#62;



ZOE
With Will Sheldon, 2020.
An illustrated fairytale by Will Sheldon and Charlie Fox. The edition features 19 paintings and drawings assembled in 2020 by Sheldon, and a newly commissioned short story by Fox. Fox’s fairytale uses Sheldon’s Darger-esque landscapes and imagery to conjure the tale of our “bat-eared and winged with glitter-encrusted claws” pyromaniac heroine ZOE.Printed in a limited edition of 300, ZOE is a summer fever dream; a reminder that it’s cool to sweat, and to embrace that which frights and excites us.

Read more.
&#60;img width="1650" height="1162" width_o="1650" height_o="1162" data-src="https://freight.cargo.site/t/original/i/6a914e02be50c38e35912eea1abfacb257fa5a540824c083a69de50ee4f86b04/ZOE_1.png" data-mid="125601734" border="0"  src="https://freight.cargo.site/w/1000/i/6a914e02be50c38e35912eea1abfacb257fa5a540824c083a69de50ee4f86b04/ZOE_1.png" /&#62;
&#60;img width="1580" height="1092" width_o="1580" height_o="1092" data-src="https://freight.cargo.site/t/original/i/0aab66edda59ddfb132989e165c15bdccfcd2d68ab2a3fa80dc458e7ad37064f/ZOE_2.png" data-mid="125601735" border="0"  src="https://freight.cargo.site/w/1000/i/0aab66edda59ddfb132989e165c15bdccfcd2d68ab2a3fa80dc458e7ad37064f/ZOE_2.png" /&#62;
&#60;img width="2400" height="1715" width_o="2400" height_o="1715" data-src="https://freight.cargo.site/t/original/i/3074a5f160b67678a19c0dd5f2dbab239ac535ce1c4710f337eb24006656e435/ZOE_3.jpeg" data-mid="125601736" border="0"  src="https://freight.cargo.site/w/1000/i/3074a5f160b67678a19c0dd5f2dbab239ac535ce1c4710f337eb24006656e435/ZOE_3.jpeg" /&#62;
A GUIDE TO THE SEXUAL BEHAVIOUR OF CERTAIN CREATURES2021
Alien intercourse manual in the catalogue for H.R. Giger/Mire Lee show at Schinkel Pavillion in Berlin.

&#60;img width="932" height="828" width_o="932" height_o="828" data-src="https://freight.cargo.site/t/original/i/a1b67291daeecb11a76b3335f5a371bbd7b179ffc4cdeff0a444d23e193180af/Screenshot-2022-07-08-at-12.18.19.png" data-mid="147392773" border="0"  src="https://freight.cargo.site/w/932/i/a1b67291daeecb11a76b3335f5a371bbd7b179ffc4cdeff0a444d23e193180af/Screenshot-2022-07-08-at-12.18.19.png" /&#62;
&#60;img width="884" height="794" width_o="884" height_o="794" data-src="https://freight.cargo.site/t/original/i/5fcfe710ccf872cf47fea3cb0ccdda7c01906448108476e21eac6080546f691b/Screenshot-2022-07-08-at-12.21.32.png" data-mid="147392771" border="0"  src="https://freight.cargo.site/w/884/i/5fcfe710ccf872cf47fea3cb0ccdda7c01906448108476e21eac6080546f691b/Screenshot-2022-07-08-at-12.21.32.png" /&#62;
&#60;img width="950" height="838" width_o="950" height_o="838" data-src="https://freight.cargo.site/t/original/i/f9e99e773fee09e4382c7a4e71692986a43627809b53effe6c6c26263db29714/Screenshot-2022-07-08-at-12.18.50.png" data-mid="147392772" border="0"  src="https://freight.cargo.site/w/950/i/f9e99e773fee09e4382c7a4e71692986a43627809b53effe6c6c26263db29714/Screenshot-2022-07-08-at-12.18.50.png" /&#62;

	
	
EIKO&#38;nbsp;
WePresent, 2022
Profile of the brain-melting costume designer /set designer/genius Eiko Ishioka who did the costumes for Bram Stoker’s Dracula, and the sets for Mishima: A Life in Four Chapters, and a video for Björk, and the costumes for The Cell and...









&#60;img width="2220" height="1608" width_o="2220" height_o="1608" data-src="https://freight.cargo.site/t/original/i/fdc3e894195a90bde3a613c29ed35466c6a3833df6d85f5ce5b9a2e9e042a437/ezgif-3-d86b1e7692.jpg" data-mid="147502223" border="0"  src="https://freight.cargo.site/w/1000/i/fdc3e894195a90bde3a613c29ed35466c6a3833df6d85f5ce5b9a2e9e042a437/ezgif-3-d86b1e7692.jpg" /&#62;
&#60;img width="1354" height="998" width_o="1354" height_o="998" data-src="https://freight.cargo.site/t/original/i/6840ab7ff36664b88284a3bf4a13fc7a7b489890431d5e2653a7c7a329545984/Screenshot-2022-07-08-at-13.32.12.png" data-mid="147502228" border="0"  src="https://freight.cargo.site/w/1000/i/6840ab7ff36664b88284a3bf4a13fc7a7b489890431d5e2653a7c7a329545984/Screenshot-2022-07-08-at-13.32.12.png" /&#62;
&#60;img width="3270" height="2206" width_o="3270" height_o="2206" data-src="https://freight.cargo.site/t/original/i/f0075704c760ca12f683eaf88a0923fa367793696a6ab9d40e8f19c58ef921b7/ezgif-2-5d8fc6b6aa.jpg" data-mid="147502350" border="0"  src="https://freight.cargo.site/w/1000/i/f0075704c760ca12f683eaf88a0923fa367793696a6ab9d40e8f19c58ef921b7/ezgif-2-5d8fc6b6aa.jpg" /&#62;
&#60;img width="1376" height="566" width_o="1376" height_o="566" data-src="https://freight.cargo.site/t/original/i/766eb527b0e77cffb63273a08b0ea18dcd8b8bc429c118ddc2568fba8114afb5/Screenshot-2022-07-08-at-13.30.13.png" data-mid="147502358" border="0"  src="https://freight.cargo.site/w/1000/i/766eb527b0e77cffb63273a08b0ea18dcd8b8bc429c118ddc2568fba8114afb5/Screenshot-2022-07-08-at-13.30.13.png" /&#62;

Read more...
CODEX OF BEWITCHED GOODIES
TATE Etc. Magazine, 2019.Occult product history to coincide with Mark Leckey’s O Magic Power of Bleakness at Tate Britain.
 Illustrations by Robert Beatty



&#60;img width="820" height="776" width_o="820" height_o="776" data-src="https://freight.cargo.site/t/original/i/ca681f4c5ce4911b1660e495d1a5246b23843d9b2b70312e506e1628990c9476/CODEX-OF-BEWITCHED-GOODIES_1.png" data-mid="125607643" border="0" data-scale="45" src="https://freight.cargo.site/w/820/i/ca681f4c5ce4911b1660e495d1a5246b23843d9b2b70312e506e1628990c9476/CODEX-OF-BEWITCHED-GOODIES_1.png" /&#62;










ZONKED
Tank, 2017.A script starring a mutant in a mental health facility and his bewildered psychiatrist.





&#60;img width="1236" height="1148" width_o="1236" height_o="1148" data-src="https://freight.cargo.site/t/original/i/e8da84990e5dcbbea8328ae48bb2b392c251ac85f8cf71f6981f3bea00a8a3ba/ZONKED_1.png" data-mid="125607663" border="0"  src="https://freight.cargo.site/w/1000/i/e8da84990e5dcbbea8328ae48bb2b392c251ac85f8cf71f6981f3bea00a8a3ba/ZONKED_1.png" /&#62;
&#60;img width="1208" height="980" width_o="1208" height_o="980" data-src="https://freight.cargo.site/t/original/i/fb467be19a1f4ed1458fc9fcbac4e5119fad94519ef816026d469d85786309ed/ZONKED_2.png" data-mid="125607664" border="0"  src="https://freight.cargo.site/w/1000/i/fb467be19a1f4ed1458fc9fcbac4e5119fad94519ef816026d469d85786309ed/ZONKED_2.png" /&#62;











IN MEMORY OF GODZILLA
Paperback Covers, 2021.A story in the form of extracts from imaginary books (Bipeds with Devalued Faces by Dana Scully; The Boys All Stared by Britney Spears; Knock Knock: Who’s There? Conversations with Schizophrenics by Flavor Flav) inspired by Jim Shaw’s Paperback Cover paintings which are drawn, in turn, from his dreams.&#38;nbsp; Written in 2018, rejected by commissioning entity a few months later; resurrected when Jim asked if the story could be weirder; finally published in JRP Ringier monograph Paperback Covers in 2021.









&#60;img width="614" height="942" width_o="614" height_o="942" data-src="https://freight.cargo.site/t/original/i/25687a8595977813619b1a5a1c7e6c868227a5cf1f19d40750ad228bd4b52df6/IN-MEMORY-OF-GODZILLA_2.png" data-mid="125607737" border="0"  src="https://freight.cargo.site/w/614/i/25687a8595977813619b1a5a1c7e6c868227a5cf1f19d40750ad228bd4b52df6/IN-MEMORY-OF-GODZILLA_2.png" /&#62;
&#60;img width="912" height="1198" width_o="912" height_o="1198" data-src="https://freight.cargo.site/t/original/i/b0a71d04140f40a0c9a56c144a017e913724ddd7571b9f3cc9494d8f49eb6c9d/Screenshot-2022-07-08-at-12.55.16.png" data-mid="147503656" border="0"  src="https://freight.cargo.site/w/912/i/b0a71d04140f40a0c9a56c144a017e913724ddd7571b9f3cc9494d8f49eb6c9d/Screenshot-2022-07-08-at-12.55.16.png" /&#62;
&#60;img width="622" height="926" width_o="622" height_o="926" data-src="https://freight.cargo.site/t/original/i/adff4b613c18d1566d28761abcf1ac14a85a961e5a54bcd1e08749255d807618/Screenshot-2022-07-08-at-12.53.16.png" data-mid="147503752" border="0"  src="https://freight.cargo.site/w/622/i/adff4b613c18d1566d28761abcf1ac14a85a961e5a54bcd1e08749255d807618/Screenshot-2022-07-08-at-12.53.16.png" /&#62;
&#60;img width="928" height="448" width_o="928" height_o="448" data-src="https://freight.cargo.site/t/original/i/997cb4b3dc1f2cee0861bad59a1d1ec7cd7fcbedcf0fd97ee56dd7556dd92189/Screenshot-2022-07-08-at-12.54.48.png" data-mid="147503755" border="0"  src="https://freight.cargo.site/w/928/i/997cb4b3dc1f2cee0861bad59a1d1ec7cd7fcbedcf0fd97ee56dd7556dd92189/Screenshot-2022-07-08-at-12.54.48.png" /&#62;
&#60;img width="730" height="1108" width_o="730" height_o="1108" data-src="https://freight.cargo.site/t/original/i/c3fc4f46a40efb48c29ba9f5e9eaa24ade923c787aa6e3a2e8642e6ef6dd5762/Screenshot-2022-07-08-at-12.54.08.png" data-mid="147503756" border="0"  src="https://freight.cargo.site/w/730/i/c3fc4f46a40efb48c29ba9f5e9eaa24ade923c787aa6e3a2e8642e6ef6dd5762/Screenshot-2022-07-08-at-12.54.08.png" /&#62;
&#60;img width="868" height="906" width_o="868" height_o="906" data-src="https://freight.cargo.site/t/original/i/51266f05bbd87204a85f289856f8d4b82cab27d457ba1f5ec187bda8078c52ba/Screenshot-2022-07-08-at-12.55.33.png" data-mid="147504075" border="0"  src="https://freight.cargo.site/w/868/i/51266f05bbd87204a85f289856f8d4b82cab27d457ba1f5ec187bda8078c52ba/Screenshot-2022-07-08-at-12.55.33.png" /&#62;

CRUFTSCORE032C, 2022. Pix by Sophie Mei Birkin

In which me and Sophie Mei Birkin go to Crufts, the world’s biggest dog show, and discover a strange and wonderful world.

&#60;img width="1884" height="686" width_o="1884" height_o="686" data-src="https://freight.cargo.site/t/original/i/f4080360b1165706023e13d33c55066bd78ddfd4ca2e8ab96e21f45665e42f94/Screenshot-2023-05-19-at-11.38.22.png" data-mid="179267378" border="0"  src="https://freight.cargo.site/w/1000/i/f4080360b1165706023e13d33c55066bd78ddfd4ca2e8ab96e21f45665e42f94/Screenshot-2023-05-19-at-11.38.22.png" /&#62;
&#60;img width="1920" height="2881" width_o="1920" height_o="2881" data-src="https://freight.cargo.site/t/original/i/68f0b5e87d6737681b627845fa0826305a92ac557478f8ab9b6dc2d06620d57b/65047c29053f31ff50b660220e15e49cbef5db2d-1365x2048-1.jpg" data-mid="179267410" border="0"  src="https://freight.cargo.site/w/1000/i/68f0b5e87d6737681b627845fa0826305a92ac557478f8ab9b6dc2d06620d57b/65047c29053f31ff50b660220e15e49cbef5db2d-1365x2048-1.jpg" /&#62;

&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/0f44703fffd208f1a17aaa3d12301b0f87c955cf42f2b531f0f3de888efbccae/ea524aa07ae1f9351290b03451541183a870a5bc-2048x1365-1.jpg" data-mid="179267616" border="0"  src="https://freight.cargo.site/w/1000/i/0f44703fffd208f1a17aaa3d12301b0f87c955cf42f2b531f0f3de888efbccae/ea524aa07ae1f9351290b03451541183a870a5bc-2048x1365-1.jpg" /&#62;
&#60;img width="1658" height="666" width_o="1658" height_o="666" data-src="https://freight.cargo.site/t/original/i/8c22846230e6d7ef81b7ff232ea81f221ce739b20bae3d22392677acd00c6ccf/Screenshot-2023-05-19-at-11.39.09.png" data-mid="179267784" border="0"  src="https://freight.cargo.site/w/1000/i/8c22846230e6d7ef81b7ff232ea81f221ce739b20bae3d22392677acd00c6ccf/Screenshot-2023-05-19-at-11.39.09.png" /&#62;&#60;img width="1920" height="1280" width_o="1920" height_o="1280" data-src="https://freight.cargo.site/t/original/i/43f2f29c3806b857c8caf2184d5fa44bde1c382abac84ee7bae9cf5ef14486e7/877b3e43174c83bf996e5ed25132899707d45c9e-2048x1365.jpg" data-mid="179267665" border="0"  src="https://freight.cargo.site/w/1000/i/43f2f29c3806b857c8caf2184d5fa44bde1c382abac84ee7bae9cf5ef14486e7/877b3e43174c83bf996e5ed25132899707d45c9e-2048x1365.jpg" /&#62;

JELLY
DAZED, 2018.A little play for DAZED set backstage at a zombie fashion show, featuring two undead girls, Sabrina (model),&#38;nbsp; Lucifer (dresser), and their rancid dog named Garbage.




&#60;img width="574" height="414" width_o="574" height_o="414" data-src="https://freight.cargo.site/t/original/i/75ba099e9e2aac892a9889883178c589644e10c05dd5591557a7bc2befe8c45d/JELLY_1.png" data-mid="125608008" border="0"  src="https://freight.cargo.site/w/574/i/75ba099e9e2aac892a9889883178c589644e10c05dd5591557a7bc2befe8c45d/JELLY_1.png" /&#62;










FABLE (FOR COOKIE)
Dazed Digital, 2017.Fable dedicated to legendary trash siren and Dreamlander Cookie Mueller, originally commissioned by Studio Voltaire and published by DAZED in 2017. 
&#60;img width="617" height="700" width_o="617" height_o="700" data-src="https://freight.cargo.site/t/original/i/6109a76d0e601ecbb21846d99519f52d9eb12dd1d0eb3e81a8c758c1947292f7/1227810.jpg" data-mid="147477331" border="0"  src="https://freight.cargo.site/w/617/i/6109a76d0e601ecbb21846d99519f52d9eb12dd1d0eb3e81a8c758c1947292f7/1227810.jpg" /&#62;
Read more...
N.Y.C. FAUST (A FANTASIA IN FOUR ACTS)
Reza Abdoh Catalogue, 2018.Story narrated by dead hustler who fucks the Devil.&#60;img width="1736" height="1036" width_o="1736" height_o="1036" data-src="https://freight.cargo.site/t/original/i/a59a67ce81ed5de834d1ee94950aaba6365415a74987becabb852b5957e55882/NYC-FAUST_1.png" data-mid="125608404" border="0"  src="https://freight.cargo.site/w/1000/i/a59a67ce81ed5de834d1ee94950aaba6365415a74987becabb852b5957e55882/NYC-FAUST_1.png" /&#62;










LEDA
After Dark, 2018.Retelling of the myth of Leda and the Swan (the swan is Zeus transformed; they bang) inspired by Corinne Day’s photograph My Bloody Knickers. Commissioned by Hilton Als.





&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/7c9dbf853ba06ea830746d8e2613b51b57162ee42dfea9524e603579642c8f4d/LEDA_AFTER-DARK_1.jpg" data-mid="125608422" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/7c9dbf853ba06ea830746d8e2613b51b57162ee42dfea9524e603579642c8f4d/LEDA_AFTER-DARK_1.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/08c7bcb2fbd516998ca81071555d0a8ee4fa42b379450cdc6229c1154270b141/LEDA_AFTER-DARK_2.jpg" data-mid="125608423" border="0" data-scale="39" src="https://freight.cargo.site/w/1000/i/08c7bcb2fbd516998ca81071555d0a8ee4fa42b379450cdc6229c1154270b141/LEDA_AFTER-DARK_2.jpg" /&#62;
SUICIDE NOTE (FOR THOMAS BERNHARD)
032c, 2019.

&#60;img width="766" height="1106" width_o="766" height_o="1106" data-src="https://freight.cargo.site/t/original/i/63b2f9c9a42ee6f8e7f1bca4cbfa5b62bcc3897789e0bdbfa4e529d3a332096f/SUICIDE-NOTE-FOR-THOMAS-BERNHARD_1.png" data-mid="125608472" border="0"  src="https://freight.cargo.site/w/766/i/63b2f9c9a42ee6f8e7f1bca4cbfa5b62bcc3897789e0bdbfa4e529d3a332096f/SUICIDE-NOTE-FOR-THOMAS-BERNHARD_1.png" /&#62;




CASPER Alex Da Corte: TRUE LIFE, 2018.Epic essay about Marshall Mathers and Alex da Corte published in fat catalogue to coincide with Alex’s huge TRUE LIFE exhibition in Dusseldorf&#60;img width="2122" height="440" width_o="2122" height_o="440" data-src="https://freight.cargo.site/t/original/i/aea2f5b1af9ebfdc3ff63bb646944941311baf68c09a8cd5bd3c9224b124d598/CASPER_1.png" data-mid="125608521" border="0"  src="https://freight.cargo.site/w/1000/i/aea2f5b1af9ebfdc3ff63bb646944941311baf68c09a8cd5bd3c9224b124d598/CASPER_1.png" /&#62;
Score it here...
</description>
		
	</item>
		
		
	<item>
		<title>Art</title>
				
		<link>https://foxfunhouse.com/Art-1</link>

		<pubDate>Thu, 25 Nov 2021 05:44:32 +0000</pubDate>

		<dc:creator>Fox's Funhouse</dc:creator>

		<guid isPermaLink="true">https://foxfunhouse.com/Art-1</guid>

		<description>
DOG MAn mag COVER
2024
That time I was a dog-man in a suit in Bethnal Green on the cover of the Italian art mag, CURA for their Monsters issue.
Photo: Aidan ZamiriMask and Styling: Emily SchubertWardrobe: Puppets and PuppetsPhoto Assistant: Floki Molina

&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/bed6448bba9d5871cae940079ba7d198028aa118da92af12f702ab07c1474ed7/CURA42_CF_WEB.jpg" data-mid="236650570" border="0"  src="https://freight.cargo.site/w/1000/i/bed6448bba9d5871cae940079ba7d198028aa118da92af12f702ab07c1474ed7/CURA42_CF_WEB.jpg" /&#62;


RETURN OF THE SATYR
2021
I was asked by the fine people at Picturehouse Piccadilly to intro a revival of Matthew Barney’s mythic beast THE CREMASTER CYCLE so I decided to transform myself into the hot tap-dancing mischief-making satyr from CREMASTER 4 for the occasion. And then cavort around central London til it got dark. Some people freaked out or stopped and stared; other people were thrilled. It was so fun to bring this fantastical creature into the real world. I miss him a lot. 
Prosthetics and make-up by Sadhbh and Aoibhe Maguire.

&#60;img width="744" height="992" width_o="744" height_o="992" data-src="https://freight.cargo.site/t/original/i/582dadc160ce4ebae608adaf6a4c82bc9660e7ad3f9a09ce788b7c29c592fd55/ReturnOfTheSatyr_1.jpg" data-mid="125605547" border="0"  src="https://freight.cargo.site/w/744/i/582dadc160ce4ebae608adaf6a4c82bc9660e7ad3f9a09ce788b7c29c592fd55/ReturnOfTheSatyr_1.jpg" /&#62;


    





    




MAGIC: THE ADDICTION

The Opioid Crisis Lookbook Crisis, Vol. 2, Summer 2021
Evil narcotic versions of MAGIC: THE GATHERING cards created with Will Sheldon for The Opioid Crisis Lookbook, Vol. 2. Also available as a deck of ultra-limited edition cards.
&#60;img width="912" height="1194" width_o="912" height_o="1194" data-src="https://freight.cargo.site/t/original/i/22fee67de305c7b779e63b50c3cab31b662052523f82be66853762f1f24bbee8/MAGIC_-THE-ADDICTION_1.png" data-mid="125608859" border="0"  src="https://freight.cargo.site/w/912/i/22fee67de305c7b779e63b50c3cab31b662052523f82be66853762f1f24bbee8/MAGIC_-THE-ADDICTION_1.png" /&#62;
&#60;img width="1014" height="1036" width_o="1014" height_o="1036" data-src="https://freight.cargo.site/t/original/i/83e75f50dc8105948226006dde6c43eea7465c301a971c6e1492a6b02c1c0c30/MAGIC_-THE-ADDICTION_2.png" data-mid="125608860" border="0"  src="https://freight.cargo.site/w/1000/i/83e75f50dc8105948226006dde6c43eea7465c301a971c6e1492a6b02c1c0c30/MAGIC_-THE-ADDICTION_2.png" /&#62;
&#60;img width="1092" height="1232" width_o="1092" height_o="1232" data-src="https://freight.cargo.site/t/original/i/9772e9f212cd16f8c766aadfe624e0d13aee31d3b6bd3d4a12ffa063d98c116c/MAGIC_-THE-ADDICTION_3.png" data-mid="125608861" border="0"  src="https://freight.cargo.site/w/1000/i/9772e9f212cd16f8c766aadfe624e0d13aee31d3b6bd3d4a12ffa063d98c116c/MAGIC_-THE-ADDICTION_3.png" /&#62;
SKITTLES
032c, Autumn 2022&#60;img width="1920" height="2880" width_o="1920" height_o="2880" data-src="https://freight.cargo.site/t/original/i/67668fdc579e7291f6a0ced323c8fecc236b03929de447eb40082951113b642e/8d8dbd745cca85558afcdae1df65ed78ef6b2915-6693x10039.jpg" data-mid="163308478" border="0"  src="https://freight.cargo.site/w/1000/i/67668fdc579e7291f6a0ced323c8fecc236b03929de447eb40082951113b642e/8d8dbd745cca85558afcdae1df65ed78ef6b2915-6693x10039.jpg" /&#62;

&#60;img width="1768" height="942" width_o="1768" height_o="942" data-src="https://freight.cargo.site/t/original/i/0a3f1d901dbb957cd628a239177206797acc5b040904befbc9410852367c38e9/Screenshot-2023-01-02-at-18.07.02.png" data-mid="163308664" border="0"  src="https://freight.cargo.site/w/1000/i/0a3f1d901dbb957cd628a239177206797acc5b040904befbc9410852367c38e9/Screenshot-2023-01-02-at-18.07.02.png" /&#62;

Alice and the Rabbit have a deep and meaningful chit-chat in Wonderland.
Pix by Aidan Zamiri
Prosthetics and Make-Up by Sadhbh and Aoibhe Maguire
Alice: Maggie Dunlap
Rabbit: Iris Luz
Dresses by Lifer
Rabbit ears by Sue de Beer

Read more...



VERONICA THE WEREWOLF
Dazed, March 2020. Story for DAZED in which Veronica Schulz, the superstar model and actress shows you multiple hot looks from her haunted wardrobe.&#38;nbsp; Masks by Emily Schubert. Pix by Sue de Beer. Wolfgirl played by Coco Campbell.&#38;nbsp; Read more...



&#60;img width="1855" height="2500" width_o="1855" height_o="2500" data-src="https://freight.cargo.site/t/original/i/e3ae0d0844a8cea9680803346b1cf896bbba31642f40f557e85b4149ae55146b/VERONICA-THE-WEREWOLF_VERONICA-at-the-OPERA.jpg" data-mid="125609217" border="0"  src="https://freight.cargo.site/w/1000/i/e3ae0d0844a8cea9680803346b1cf896bbba31642f40f557e85b4149ae55146b/VERONICA-THE-WEREWOLF_VERONICA-at-the-OPERA.jpg" /&#62;HOW TO BE A BEAUTIFUL WEREWOLF
Dazed Beauty, 2018.&#38;nbsp;
Beauty column for Dazed Beauty, Halloween 2018.&#38;nbsp; Pix and prosthetics by Emily Schubert. Wolfgirl played by Coco Campbell. &#38;nbsp; 
&#60;img width="525" height="700" width_o="525" height_o="700" data-src="https://freight.cargo.site/t/original/i/b4a6a8db04ebc7945a428f32244b5c8710126a93bb509cd93a7a566f9b61367f/1253750.jpg" data-mid="147598935" border="0"  src="https://freight.cargo.site/w/525/i/b4a6a8db04ebc7945a428f32244b5c8710126a93bb509cd93a7a566f9b61367f/1253750.jpg" /&#62;Read more...



HEAVY METAL DOG
Summer 2018.
A twisted PDF zine in memory of David Wojnarowicz (r.i.p.) commemorating his love of stray and/or rabid dogs, Arthur Rimbaud and American trash. It was designed to self-destruct and only existed via WeTransfer for a week.
 Read more...














&#60;img width="1280" height="1022" width_o="1280" height_o="1022" data-src="https://freight.cargo.site/t/original/i/83f21f54eca8584c2d02ff8ac3d1a21a2721ea9f26c7ad708a6c9d215aa5e47f/HEAVY-METAL-DOG-PRESS_1.png" data-mid="125609298" border="0"  src="https://freight.cargo.site/w/1000/i/83f21f54eca8584c2d02ff8ac3d1a21a2721ea9f26c7ad708a6c9d215aa5e47f/HEAVY-METAL-DOG-PRESS_1.png" /&#62;&#60;img width="618" height="620" width_o="618" height_o="620" data-src="https://freight.cargo.site/t/original/i/aa6e012394ceb9d0a0a65baae599826755344b9e9445fe27963c3fa3a8891001/HEAVY-METAL-DOG_1.png" data-mid="125609299" border="0"  src="https://freight.cargo.site/w/618/i/aa6e012394ceb9d0a0a65baae599826755344b9e9445fe27963c3fa3a8891001/HEAVY-METAL-DOG_1.png" /&#62;&#60;img width="800" height="1052" width_o="800" height_o="1052" data-src="https://freight.cargo.site/t/original/i/4d9aaaa6d0152fe67f0aa5f0213eb656fb91f158b75123d54a29c00bb70d4cb1/HEAVY-METAL-DOG_2.png" data-mid="125609300" border="0"  src="https://freight.cargo.site/w/800/i/4d9aaaa6d0152fe67f0aa5f0213eb656fb91f158b75123d54a29c00bb70d4cb1/HEAVY-METAL-DOG_2.png" /&#62;&#60;img width="762" height="196" width_o="762" height_o="196" data-src="https://freight.cargo.site/t/original/i/f4d7af61cd40654eae2149053d667b94bddb363928048a344cab1cb3756ee566/HEAVY-METAL-DOG_3.png" data-mid="125609301" border="0"  src="https://freight.cargo.site/w/762/i/f4d7af61cd40654eae2149053d667b94bddb363928048a344cab1cb3756ee566/HEAVY-METAL-DOG_3.png" /&#62;MY GREMLIN DID SOME WICKED THINGS
Greengrassi Gallery, 2019.
Sculptural installation for Greengrassi’s spring show, Playful Aggressions: a dislocated piece of a child’s bedroom circa the 1990s, complete with VHS tapes, plush rug and a copy of Where the Wild Things Are becomes a scene for eager sleuths to investigate. Read the psychiatric notes, listen to the child’s confession on cassette. The cute Gremlin reigns over it all from his throne. Don’t ingest after midnight.&#60;img width="2256" height="3000" width_o="2256" height_o="3000" data-src="https://freight.cargo.site/t/original/i/06c630d4f9bd4280950330317d58aa4b2e7bbc1464d7b7750142deb4e39a6dc8/MY-GREMLIN-DID-SOME-WICKED-THINGS_1.JPG" data-mid="125609278" border="0"  src="https://freight.cargo.site/w/1000/i/06c630d4f9bd4280950330317d58aa4b2e7bbc1464d7b7750142deb4e39a6dc8/MY-GREMLIN-DID-SOME-WICKED-THINGS_1.JPG" /&#62;



PERSONAL UTOPIA
Dazed, 2020.
DAZED asked me what my personal utopia looked like so I sent them this drawing of a werewolf doing stand-up.&#60;img width="904" height="1146" width_o="904" height_o="1146" data-src="https://freight.cargo.site/t/original/i/de4870943bac570e8fba70c6eaa21a4eddb18e55d4b359c5b79f622d11d1c460/PERSONAL-UTOPIA_dazed.png" data-mid="125609409" border="0"  src="https://freight.cargo.site/w/904/i/de4870943bac570e8fba70c6eaa21a4eddb18e55d4b359c5b79f622d11d1c460/PERSONAL-UTOPIA_dazed.png" /&#62;



NOD 
(I WAS DRESSED FOR SUCCESS BUT SUCCESS, IT NEVER COMES) 2020.
Unreleased video performance starring Nod the depressed insomniac clown and Horace the owl.

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e86c04873bb5baac234d96c4cda2f5c8b88b1ee7b9680aa49834eef1565c6760/IMG-9666.jpg" data-mid="147599012" border="0"  src="https://freight.cargo.site/w/1000/i/e86c04873bb5baac234d96c4cda2f5c8b88b1ee7b9680aa49834eef1565c6760/IMG-9666.jpg" /&#62;





</description>
		
	</item>
		
		
	<item>
		<title>Video</title>
				
		<link>https://foxfunhouse.com/Video-1</link>

		<pubDate>Thu, 25 Nov 2021 08:47:43 +0000</pubDate>

		<dc:creator>Fox's Funhouse</dc:creator>

		<guid isPermaLink="true">https://foxfunhouse.com/Video-1</guid>

		<description>

I’M THE SLIME
Boiler Room/4:3, 2021.
Writer and artist Charlie Fox takes you through the hallucinogenic portal of his laptop into the world of Unicorns and Rainbows/Cash from Chaos! Created by Alex Bag and Patterson Beckwith and pretty much unseen since its graveyard-slot transmission on a Manhattan public access channel back in the 1990s, it’s the whole galaxy of TV wolfed up, parodied and puked back out by two cute punk demons. Fox’s live remix takes the Gen X anarchy of the original and ADHDs it even more with a riot of freaky YouTube interludes, ambient re-scores and stream-of-consciousness commentary to create a whole new mutant.&#38;nbsp; Welcome to the funhouse. Runtime: TBC
Commissioned for Boiler Room’s Covid-era online festival, System Restart.

&#60;img width="1440" height="900" width_o="1440" height_o="900" data-src="https://freight.cargo.site/t/original/i/2990c2b659e8c53d6cc8acee31303e7a37f8e1c517c89afbffa450332126911c/I_M-THE-SLIME_2.jpg" data-mid="130664949" border="0"  src="https://freight.cargo.site/w/1000/i/2990c2b659e8c53d6cc8acee31303e7a37f8e1c517c89afbffa450332126911c/I_M-THE-SLIME_2.jpg" /&#62;
&#60;img width="1440" height="900" width_o="1440" height_o="900" data-src="https://freight.cargo.site/t/original/i/3f1abbf31e1c63e34656e6312ab8c193e531663ca4a9046ff606bd9bba4d3ef9/I_M-THE-SLIME_3.jpg" data-mid="130664952" border="0"  src="https://freight.cargo.site/w/1000/i/3f1abbf31e1c63e34656e6312ab8c193e531663ca4a9046ff606bd9bba4d3ef9/I_M-THE-SLIME_3.jpg" /&#62;




BELLY intro 2021.
DEEPER INTO MOVIES asked me to introduce a screening of Hype Williams’ transcendent banger Belly (1999).






LONG ROAD HOME2020.
Video for Oneohtrix Point Never directed by Charlie Fox and Emily Schubert. A Dank Beasts production.&#38;nbsp;
 

 
&#60;img width="1201" height="900" width_o="1201" height_o="900" data-src="https://freight.cargo.site/t/original/i/0110811396d9302dfc762031f6a0c63d0d906a81e404f70f2bb40917871fc037/LONG-ROAD-HOME_1_v2.jpg" data-mid="130664953" border="0"  src="https://freight.cargo.site/w/1000/i/0110811396d9302dfc762031f6a0c63d0d906a81e404f70f2bb40917871fc037/LONG-ROAD-HOME_1_v2.jpg" /&#62;&#60;img width="1350" height="900" width_o="1350" height_o="900" data-src="https://freight.cargo.site/t/original/i/20dae0360e4c9f327dfb86a8aa57a58c3af147be708c96a24444e66373e6bb13/LONG-ROAD-HOME_1A.jpg" data-mid="130664954" border="0"  src="https://freight.cargo.site/w/1000/i/20dae0360e4c9f327dfb86a8aa57a58c3af147be708c96a24444e66373e6bb13/LONG-ROAD-HOME_1A.jpg" /&#62;&#60;img width="1013" height="900" width_o="1013" height_o="900" data-src="https://freight.cargo.site/t/original/i/24ea53fdec3cabaa3312e1d1b9ddd3b414ff29d98fa429036ba09f801269ee40/LONG-ROAD-HOME_2.jpg" data-mid="130664956" border="0"  src="https://freight.cargo.site/w/1000/i/24ea53fdec3cabaa3312e1d1b9ddd3b414ff29d98fa429036ba09f801269ee40/LONG-ROAD-HOME_2.jpg" /&#62;&#60;img width="1103" height="900" width_o="1103" height_o="900" data-src="https://freight.cargo.site/t/original/i/b1d42fbbefac5bfeb877a81bd36a285a7247e8a264d76d9dfe8929d264a1dd0a/LONG-ROAD-HOME_3.jpg" data-mid="130664957" border="0"  src="https://freight.cargo.site/w/1000/i/b1d42fbbefac5bfeb877a81bd36a285a7247e8a264d76d9dfe8929d264a1dd0a/LONG-ROAD-HOME_3.jpg" /&#62;&#60;img width="1258" height="900" width_o="1258" height_o="900" data-src="https://freight.cargo.site/t/original/i/9c800a9268c53a1eeb59d4589549280dff92498b003be60326279c182e9df979/LONG-ROAD-HOME_5.jpg" data-mid="130664963" border="0"  src="https://freight.cargo.site/w/1000/i/9c800a9268c53a1eeb59d4589549280dff92498b003be60326279c182e9df979/LONG-ROAD-HOME_5.jpg" /&#62;&#60;img width="1331" height="900" width_o="1331" height_o="900" data-src="https://freight.cargo.site/t/original/i/0b94d468c84089c59e6277c5cc09cd47fd3ccf4e8690540878389de573739d26/LONG-ROAD-HOME_7.jpg" data-mid="130664970" border="0"  src="https://freight.cargo.site/w/1000/i/0b94d468c84089c59e6277c5cc09cd47fd3ccf4e8690540878389de573739d26/LONG-ROAD-HOME_7.jpg" /&#62;

&#60;img width="1800" height="565" width_o="1800" height_o="565" data-src="https://freight.cargo.site/t/original/i/7348d22f7567d45b0f292f919518b2d85b25a82fd983e6e0321d2caa475f940b/LONG-ROAD-HOME_4.jpg" data-mid="130664959" border="0"  src="https://freight.cargo.site/w/1000/i/7348d22f7567d45b0f292f919518b2d85b25a82fd983e6e0321d2caa475f940b/LONG-ROAD-HOME_4.jpg" /&#62;&#60;img width="1800" height="665" width_o="1800" height_o="665" data-src="https://freight.cargo.site/t/original/i/b702e5a4aa02e3bd9eb78bf42ce9469c4eb68f7a120bfbcba875e9aee50453f6/LONG-ROAD-HOME_6.jpg" data-mid="130664966" border="0"  src="https://freight.cargo.site/w/1000/i/b702e5a4aa02e3bd9eb78bf42ce9469c4eb68f7a120bfbcba875e9aee50453f6/LONG-ROAD-HOME_6.jpg" /&#62;

KID ADHD COMMERCIAL
2021, from the unreleased album,&#38;nbsp;DROOLIGAN.







</description>
		
	</item>
		
		
	<item>
		<title>Talks &#38; Interviews</title>
				
		<link>https://foxfunhouse.com/Talks-Interviews-1</link>

		<pubDate>Thu, 25 Nov 2021 06:40:00 +0000</pubDate>

		<dc:creator>Fox's Funhouse</dc:creator>

		<guid isPermaLink="true">https://foxfunhouse.com/Talks-Interviews-1</guid>

		<description>ME AND ALEX DA CORTE INTERVIEWInterview Magazine, 2019.
Lucas Zwirner interviews me and Alex for INTERVIEW magazine.&#60;img width="2554" height="768" width_o="2554" height_o="768" data-src="https://freight.cargo.site/t/original/i/e487ccfdaddd6860b39e5b980c1cdec7b0863e3cd4004f1725ca6dd96aa461cf/ME-AND-ALEX-INTERVIEW_1.png" data-mid="125610033" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e487ccfdaddd6860b39e5b980c1cdec7b0863e3cd4004f1725ca6dd96aa461cf/ME-AND-ALEX-INTERVIEW_1.png" /&#62;











Read more...
ARBUS TROLL
2019.
I was asked to speak at a Hayward Gallery panel about Diane Arbus’ photography in spring 2019 so I showed up dressed up as a black metal Troll doll.&#60;img width="1182" height="1116" width_o="1182" height_o="1116" data-src="https://freight.cargo.site/t/original/i/1fcf00068095b5172a1c6f2f673671b4c9ad1e08f35689032df6db2b7cdaffdc/ARBUS-TROLL_1.png" data-mid="125610035" border="0"  src="https://freight.cargo.site/w/1000/i/1fcf00068095b5172a1c6f2f673671b4c9ad1e08f35689032df6db2b7cdaffdc/ARBUS-TROLL_1.png" /&#62;















ALL THE BAD THINGS I’VE DONE
Slade School of Art, Spring 2020.
Talk for Slade School of Art conducted over Zoom.
	&#60;img width="305" height="428" width_o="305" height_o="428" data-src="https://freight.cargo.site/t/original/i/7a12cd8d781d41c0f472a3bf8c336a44126015fa3a16ddc42e7dde8317b2624f/ALL-THE-BAD-THINGS-I_VE-DONE_1.png" data-mid="125610072" border="0" data-scale="100" src="https://freight.cargo.site/w/305/i/7a12cd8d781d41c0f472a3bf8c336a44126015fa3a16ddc42e7dde8317b2624f/ALL-THE-BAD-THINGS-I_VE-DONE_1.png" /&#62;
 JOHN WATERS
Dazed Beauty, 2019.
I interviewed my pal John Waters about dead dogs, prosthetics, ZOO, and old-age LSD trips for DazedBeauty in 2019Read here.&#60;img width="1904" height="1048" width_o="1904" height_o="1048" data-src="https://freight.cargo.site/t/original/i/9a58c8102e5a4efe6002407ef06065b41b42b78d27b9829f1db3c386509d1328/JOHN-WATERS_1.png" data-mid="125610082" border="0"  src="https://freight.cargo.site/w/1000/i/9a58c8102e5a4efe6002407ef06065b41b42b78d27b9829f1db3c386509d1328/JOHN-WATERS_1.png" /&#62;










YAC w Maggie Dunlap 2020, YAC.
Interviewed by Maggie Dunlap about haunted houses, comedy, video games. 
Read here.&#38;nbsp; 

MATTHEW BARNEY INTERVIEW&#38;nbsp;2021, Orange Crush Zine.
&#60;img width="5700" height="3900" width_o="5700" height_o="3900" data-src="https://freight.cargo.site/t/original/i/30d8903b3e0d37ce44805e6622ca12de5b9f142813f21f60f49fd05a43eefdeb/Barney.jpg" data-mid="134225705" border="0"  src="https://freight.cargo.site/w/1000/i/30d8903b3e0d37ce44805e6622ca12de5b9f142813f21f60f49fd05a43eefdeb/Barney.jpg" /&#62;
&#60;img width="5700" height="3900" width_o="5700" height_o="3900" data-src="https://freight.cargo.site/t/original/i/eb768f56b4f1e32ab4173ad3c78de53404c2fdee35b3c3a1db30b5d13751ae34/Barney2.jpg" data-mid="134225707" border="0"  src="https://freight.cargo.site/w/1000/i/eb768f56b4f1e32ab4173ad3c78de53404c2fdee35b3c3a1db30b5d13751ae34/Barney2.jpg" /&#62;

Cop here...
IN CONVERSATION WITH MATT COPSON
Kaleidoscope, 2019.
Me and the artist Matt Copson discuss Hook, nosebleeds and porn.
&#60;img width="924" height="1036" width_o="924" height_o="1036" data-src="https://freight.cargo.site/t/original/i/51aeff9bd10d00a1fce8f9857af15391c9602a3b209e2163d64699499283cff3/Screenshot-2022-08-17-at-14.48.29.png" data-mid="150635917" border="0"  src="https://freight.cargo.site/w/924/i/51aeff9bd10d00a1fce8f9857af15391c9602a3b209e2163d64699499283cff3/Screenshot-2022-08-17-at-14.48.29.png" /&#62;







</description>
		
	</item>
		
		
	<item>
		<title>Noise</title>
				
		<link>https://foxfunhouse.com/Noise-1</link>

		<pubDate>Thu, 25 Nov 2021 07:51:57 +0000</pubDate>

		<dc:creator>Fox's Funhouse</dc:creator>

		<guid isPermaLink="true">https://foxfunhouse.com/Noise-1</guid>

		<description>DRINK MY MAGIC POTION Mix
NTS, Summer 2019.
Guest mix on Mark Leckey’s NTS show, summer 2019.

Listen here.
&#60;img width="480" height="538" width_o="480" height_o="538" data-src="https://freight.cargo.site/t/original/i/1438c3244241d505c98d52c60494876688229ff9564d71c1d2d8dd05964b5c88/DRINK-MY-MAGIC-POTION_1.jpg" data-mid="130730315" border="0"  src="https://freight.cargo.site/w/480/i/1438c3244241d505c98d52c60494876688229ff9564d71c1d2d8dd05964b5c88/DRINK-MY-MAGIC-POTION_1.jpg" /&#62;














SHUSH
Serpentine, Summer 2022
Feat. Lucinda Chua

&#60;img width="1163" height="960" width_o="1163" height_o="960" data-src="https://freight.cargo.site/t/original/i/9e5383c59314b3a10db4ffaaf387aba8bfa8bc5a833ddec89f384a32aada6aac/IMG_5045.jpg" data-mid="150621072" border="0"  src="https://freight.cargo.site/w/1000/i/9e5383c59314b3a10db4ffaaf387aba8bfa8bc5a833ddec89f384a32aada6aac/IMG_5045.jpg" /&#62;
shush is a shivery ASMR lullaby designed in the dead of summer night for damaged minds.

Listen here

LIVE AT GARGOYLE PARK Mix&#38;nbsp;Elara Radio, Summer 2020.&#38;nbsp;
Guest mix for Elara Radio
Listen here.&#60;img width="488" height="366" width_o="488" height_o="366" data-src="https://freight.cargo.site/t/original/i/744c41842fb98276616faf8e430dd2c96e6874872f43b680c4dc865387558e28/avalon_0.jpg" data-mid="150621854" border="0"  src="https://freight.cargo.site/w/488/i/744c41842fb98276616faf8e430dd2c96e6874872f43b680c4dc865387558e28/avalon_0.jpg" /&#62;

YOU’RE SUCH A DISEASE
RCA ARC’s Dirty Issue, 2020.
Audio story for RCA ARC’s Dirty issue featuring Cursed Image Elmo. Originally live-streamed over Twitch.







KARLOFFSerpentine Gallery, 2017.An interview with Frankenstein’s Monster created for the Serpentine Gallery’s 2017 marathon, GUEST, GHOST, HOST, MACHINE!&#38;nbsp; Produced and mixed by Jack Howson.


  
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DREAM DECEIVERS4:3 / Boiler Room, 2020.
4:3 (Boiler Room’s video platform) asked to show a movie for Halloween 2019 so I exhumed Dream Deceivers, this gnarly documentary about the infamous Judas Priest trial from the 1980s.
Listen here.






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		<title>Page 1</title>
				
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		<pubDate>Thu, 25 Nov 2021 03:33:16 +0000</pubDate>

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	01 PROIN FINIBUS ODIO
	DOC 234—34/2


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	DEUS: &#38;nbsp; 088/26812—81REX-13: 978-0882681/283
	Etiam euismod elit id nisl lacinia commodo. Donec non neque quis mauris malesuada ultricies. Sed posuere sem velit, nec vestibulum enim laoreet a. Duis imperdiet egestas pulvinar, In gravida turpis arcu, et semper nisl pellentesque est.

Nunc blandit nunc mi, eu ultrices justo tempor a. Pellentesque rhoncus tempor convallis. Nulla semper tortor non elementum vulputate. Donec lectus nibh, euismod sed lectus quis, pretium dapibus dolor. Mauris ut massa ante. Sed eu sapien non lorem eleifend auctor a id quam. Suspendisse id lacinia erat. Orci varius natoque penatibus et magnis dis.






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